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"Bless me, what an enthralling picture!" says Mr. Darling. "You make me regret all I have lost. But perhaps it is not yet too late. I say, Dolly, you are eating nothing. Have some more bread-and-butter or cake, old girl. You don't half take care of yourself." Nolly is especially and oppressively cheerful. He is blind to the depression that marks Mona and Geoffrey for its own, and quite outdoes himself in geniality and all-round amiability. It is a drooping blackberry-leaf from a bush near where she is standing, that has turned from green into a warm and vivid crimson. She examines it minutely, as though lost in wonder at its excessive beauty, for beautiful exceedingly it is, clothed in the rich cloak that Autumn's generosity has flung upon it; yet I think, she for once is blind to its charms..
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"Oh, well, that's it," says Mr. Darling, somewhat relieved. "I'm an awful duffer not to have guessed that Geoffrey's being out would keep you awake." "Do not trouble yourself to make any further excuse," says Mona, icily. As the children whose ancestors came from Europe have stories about the heroes who killed wicked and cruel monsters—like Jack the Giant Killer, for example—so the Indian children hear stories about persons who had magic power and who went about the world destroying those who treated cruelly or killed the Indians of the camps. Such a hero was Kŭt-o-yĭs´, and this is how he came to be alive and to travel about from place to place, helping the people and destroying their enemies. Mona pours out the tea—which is excellent—and puts in the cream—which is a thing to dream of—with a liberal hand. She smiles at Geoffrey across the sugar-bowl, and chatters to him over the big bowl of flowers that lies in the centre of the table. Not a hothouse bouquet faultlessly arranged, by any means, but a great, tender, happy, straggling bunch of flowers that seem to have fallen into their places of their own accord, regardless of coloring, and fill the room with their perfume..
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